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The Descent: Part 2 (The Descent 2)

The Descent: Part 2 is the sequel to the British horror film of 2005 entitled The Descent chronicling the adventures of a group of friends who end up trapped in a Appalachian caves and are stalked by a hideous creatures that live in the dark.
This second installment begins when Sarah, the protagonist of the previous tape, reappears bloody and total state of shock after having managed to escape from the caves. Immediately becomes the target of the police, who seek the whereabouts of the other girls. It then prepares a rescue mission to the deep caverns in search of more survivors and decided to take Sarah step because it is the only one who knows the way and can lead to others.

tape with an air of series B from start to finish, extremely laughable dialogue, special effects and a fifth unknown cast of actors and soulless, The Descent: Part 2 offers nothing new, nor the viewer, or gender. As a horror film fails and that was to have a couple of moments of intensity and claustrophobia, the rest is a boring exercise that runs through all the cliches of films of survival and that tests their characters to the trite and predictable situations that one could imagine . Whether the final act does the film a little vindication, since it departs from convention and opt for an unexpected twist. More than terror, I would classify as tape gore and even within that genre that goes wrong I fought. Yes, there are a lot of blood, guts, slime drooling creatures and other things like that could well get to annoy those of weak stomach.

Moderately entertaining and Just a couple of moments that keep the pace of the film, The Descent: Part 2 is definitely not a film for all age groups, but for those of strong stomach who want to enjoy a decent gore session or are simply in how to watch a movie that does not require much coconut to follow the thread of history.

Rating: * 1 / 2

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Box office: 25 to 27 March 2011

USA: Action Ribbon Sucker Punch lost the battle at the box office this weekend to film the sequel to the child Diary of a Wimpy Kid: Rodrick Rules . Contrary to industry expectations, Wimpy Kid was crowned number one in its debut weekend with $ 23.7 million
, surpassing the debut of its predecessor a year ago. Girls and violent armed latest film Zack Snyder debuted in second place with just $ 19 billion, well below the previous work of director (300 and Watchmen) that have also been released this season. Limitless films and The Lincoln Lawyer had a good retention of audience falling only 20.4% and 18.6% respectively over the previous weekend. To continue with good word of mouth and interest adult audience, films finish their large-screen display with $ 80-90 to $ 40-50. During the weekend, two films exceeded the barrier of $ 100 million to become the first in 2011 to achieve this mark: Range , which has accumulated $ 106.3m in its four weeks on billboard and Just Go With It with $ 100.2ma date. Limited platform, Jane Eyre and Win Win continued to expand to more cities this week and continued success in the arthouse sector. While the French film Poticha and the latest work of Julian Schnabel, which is called Miral , premiered to decent numbers, but not impressive to justify a wide expansion in the future. Will have to see their performance in the coming weeks to see what the strategy will continue to Music Box and The Weinstein Company. Mexico

: Despite the release of four films at the national level, the Mexican film S Pérez Alvand the Soldier climbed unexpectedly in first place, beating shakespearenos garden gnomes, alternative families, and idols lolitas violent youth YouTube era Mexican who took the billboard this weekend. The comedy starring Miguel Rodarte raised $ 11.6 million pesos, a 5% less compared to its debut weekend, confirming a tremendous word of mouth. With $ 34.1 million accumulated in 10 days, the movie could end their run at least twice or more, depending on the acceptance in the coming weeks. Of the premieres, Gnomeo and Juliet in its 2D version was placed in second place with $ 9.6my in sixth place with $ 6.2m in its 3D version. With Easter nearby, Gnomeo and Juliet will be able to reach a wider audience of children but face competition from Hop and Rio to be released in the coming weeks. The controversial Mexican film The Other Family debuted in third place with a respectable amount of $ 8.2m. Despite having good reviews, will have to wait which is the acceptance of the tape to the public. Sucker Punch: World surreal l had an embarrassing debut in seventh place with $ 5.9my 3D documentary Justin Bieber entitled Never Say Never to followed in eighth with $ 5.5ma step despite being on display at a lower number of rooms. Range became the fourth film of 2011 to join the century club with a total of $ 110.8ma date. U.S.


(million dollars)
Source: Box Office Mojo

1. Diary of a Wimpy Kid: Rodrick Rules - $ 23.7m - 1 week - $ 23.7m
2. Sucker Punch - $ 19m - 1 week - Limitless
3. $ 19m - $ 15m - 2 weeks - $ 41.1m
4. The Lincoln Lawyer - $ 10.7m - 2 weeks - $ 28.7m
5. Range - $ 9.7m - 4 weeks - $ 106.3m
6. Paul - $ 7.8m - 2 weeks - $ 24.9m
7. Battle: Los Angeles - $ 7.5m - 3 weeks - $ 72.5m
8. Red Riding Hood - $ 4.3m - 3 weeks - $ 32.4m
9. The Adjustment Bureau - $ 4.2m - 4 weeks - $ 54.9m
10. Mars Needs Moms - $ 2.2m - 3 weeks - $ 19.2m

Mexico

(in millions pesos)

Source: Canacine

1. Saving Private Perez - $ 11.6m - 2 weeks - $ 34.1m
2. Gnomeo and Juliet (Gnomeo and Juliet) - $ 9.6m - 1 week - $ 9.6m
3. The Other Family - $ 8.2m - 1 week - $ 8.2m
4. Unknown (Unknown) - $ 8m - 2 weeks - $ 29.8m
5. Range - $ 7.9m - 4 weeks - $ 110.8m
6. 3D Gnomeo and Juliet (Gnomeo and Juliet) - $ 6.2m - 1 week - $ 6.2m
7. Sucker Punch: Surreal World - $ 5.9m - 1 week - $ 5.9m
8. Never Say Never (Never Say Never) - $ 5.5m - 1 week - $ 5.5m
9. Mars Needs Moms (Mars Needs Moms ) - $ 4.4m - 2 weeks - $ 16.4m
10. Battle: Los Angeles - $ 3.7m - 3 weeks - $ 28.6m

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First Look: Midnight in Paris

At 75 years old, Woody Allen remains one of the busiest directors in the film medium to make a film a year. Midnight in Paris is the sixth film writer and director of New York shot in Europe and the first located in France. With an all-star cast to the simple style of Allen, led by Owen Wilson, Rachel McAdams, Michael Sheen and Marion Cotillard, the comedy will have the intricacies of a couple during their stay in the city of lights. Obviously, much of the hype around the film is due to the participation of the first lady of France, Carla Bruni, who is in charge of a secondary role. The tentative date of release in the United States is in May, so fans of Woody Allen: begin to mark your calendars.

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Of Gods and Men (Of Gods and Men) Presumed Guilty

Selected to represent France at the last Academy Awards in the category of Best Foreign Language film, Of Gods and Men not run very lucky to win the nomination despite his side having a number of factors as critical acclaim and the Grand Prix award at last year's Cannes Film Festival. However, I am sure that the film deserved a mention in this category as it demonstrates its superiority over the other nominees ( example, Biutiful ).

Of Gods and Men leads to the most hidden corners of a monastery in Algeria, where we see the dedication and spirit of a group of monks from France to live with a small population consisting mainly of Muslims. Although they profess a different faith, the monks have been able to gain the confidence and friendship of the people thanks to the selfless aid they provide, such as medicines and free medical consultations. However, the monastery's peace is threatened when a group of terrorists that this population committing violent acts and murders. This is when Christian, the leader of the monks, you should take the decision on whether to continue living under the yoke of criminals, risking his own life, or, if they leave the monastery and moved to a safer place. Obviously, the movie focuses on the development of this dilemma that is most important to follow the doctrine without regard to life-threatening, or is primarily personal welfare rather than religious practice.

Xavier Beauvois, director of the film has many strengths and these include the fully immersed in the lives of these individuals who live surrounded by nature, silence and prayer. For this reason, the movie lends itself to keep pace somewhat slow and contemplative yet the film never manages to fall into utter boredom. In a way, Beauvois weaves the daily tasks of the monks with life outside the monastery, often contrasting the sound to the viewer does not get lost in the rhythm of history. Added to this, the performances of the cast hit the spot and is especially Lambert Wilson who excels in portraying a very human and honest feelings and problems to which his character faces. The only but that would put the movie is the scene that closely resembles ¨ The Last Dinner · while the music of Swan Lake is heard background. Since it is the only piece of music that accompanies the film, the scene I did for other unnecessary and in some ways an emotional blackmailer. I think that it was too much drama in history to want to manipulate the viewer's feelings that way.

Based on true events, Of Gods and Men is an intense film that even when not wearing a too fast pace, he manages to have you biting your nails, literal, and the edge of the seat. Furthermore, it is shown that there is no need of resources spent to transmit the central message of the film. With brilliant performances, and a story right direction estrujante, tape is not only a major contribution of French and European cinema, but also a universal story about the human and spiritual, regardless of race or religion.

Rating: ***

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"Singer" - Bullet KakaIru

This cartoon wrote it for the forum "Scarecrow & Dolphin Crew." In fact, he had another hundred words, but then I was wanting to do this, a little longer, so it did not fulfill the slogan of the activity. Just wanted to post it somewhere. Click on "Read More" to see it;).

Kakashi always managed to surprise on his birthday. And I was not talking about a pleasant surprise exactly, though at the end of the day, all shocks, scolding, and headaches worthwhile. So that day, when he got up, walked carefully and eyes in the back to take the jounin not unprepared.

But nothing.

He was somewhat disappointed. And why not say it: alone. When her head on the pillow the sound of what looked like a cat being crushed by an elephant made him jump. The voice of "singer" reminded him that he must never lower our guard. And even less if the result could be a serenade to two in the morning, sung by an overzealous jounin, which could be very good shinobi, but he doubted he had heard something about how out of place.

"What you do for love" thought almost smiling. And he leaned against the window to see your partner. With ears adequately covered, though. The end

.

Kisses to all!

Community Service Reccomendation

¨ What why accuse him? As it is my chamber "Well

say that reality is often stranger than fiction and this certainly applies to this documentary Presumed Guilty . Your advertising campaign read ¨ film everyone in Mexico has to do ¨ and in fact, is a film that deserves to be seen, analyzed and reflected by each and every order not only to understand (and learn) a little more about the inefficient judicial system that is taught in the country, but also to understand what you can do so to improve this process . It is true that the documentary does not present anything new from the point of view we have heard similar cases on the problems that persist in the pursuit of justice in Mexico, however, it is extremely interesting is that the film succeeds in putting a face the problem to us participants in a case in a million, where quite simply the justice system has failed. Presumed Guilty

worth seeing, not just by the illness and the controversy it has generated around it. To begin with, is a purely Mexican film with zero pretensions. I'm sure the last thing they went through the minds of the filmmakers was that the tape would travel the world in film festivals and winning awards and recognition from critics and general audiences. We are in a modest manufacturing film whose purpose is to showcase the failures of a system that was responsible for imprisoning the innocent and the guilty to grant freedom to have a certain socioeconomic status. By following the case of Antonio Zúñiga, a salesman who was convicted of a crime he did not commit, directors and attorneys present evidence and arguments that expose the level of corruption and negligence among judges, lawyers, witnesses and police. Presumed Guilty

deserves to be analyzed, primarily by the phenomenon in which it has become. Is a clear example that society is screaming for a new form of cinema in Mexico on a concept that moves away from copying American ways to explore our stories. The success of Presumed Guilty lies in having a good story to tell, that may seem simple at first glance, it is powerful in its message and how to manage and direct the criticism. Outside the cinematic look, the film should be analyzed to stick to reality and understand the functioning of this governmental body, though in the attempt failed with tremendous rage and impotence at the reactions and decisions of those who bear the administration of justice in this country.

Finally, Presumed Guilty worth reflected by the audience and question certain aspects like is this the judicial system that the country should offer, how I can educate myself to know how to act if that is the subject of scrutiny justice in Mexico? and what is in my power to bring about change or improvement? Undoubtedly, both Roberto Hernandez and Negrete Layda deserve applause, not only for the work they did but for the dared to present this reality despite the obstacles they knew they would face. Hopefully, the film achieves move consciences and possible a change in the way of imparting justice in Mexico and in the process of trials and confrontations.

Rating: ****

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First Look: The Tree of Life

¨ Unless you love, your life will flash by ·

What I can say about The Tree of Life? His trailer is undoubtedly one of the most exquisite, interesting, poetic and mesmerizing in recent years. It is a work of art that does not reveal much, but at the same time too small subtly reveals more details of recent work Terrence Malick (The Thin Red Line). Both the story, acting, direction, music and film are very promising. With a possible premiere at the Cannes Film Festival, Fox Searchlight plans to distribute the film in the United States in late May.

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Box office: 18 to 20 March 2011 Biutiful

USA: tape Limitless , starring Bradley Cooper and Robert DeNiro debuted at the box office grossing $ 18.9 million . With a premiere somewhat below industry expectations, the road ahead will depend on the acceptance the public. The other two new films this weekend were put in place four and five of the top 10, with only a difference of less than $ 200k. The crime drama "The Lincoln Lawyer starring Matthew McConaughey managed to accumulate $ 13.2 million, while the alien comedy Paul reached only $ 13 million. Range continued making the rounds in second place with $ 15 million is almost nothing to become the first film of 2011 to cross the goal of $ 100 million. Meanwhile, the film Battle: Los Angeles dropped from first to third place this weekend, grossing $ 14.5 million, a terrible 59% less than in his debut, and nothing bad accumulated amount of $ 60.5 million in just 10 days. A total of $ 80 - $ 90 million seems to be on the lookout for the film distributed by Sony. Outside the top 10 and ultra limited release, Fox Searchlight released the latest film from acclaimed director Tom McCarthy (The Visitor, The Station Agent) entitled Win Win. With Paul Giamatti in the lead role, the play debuted with $ 150k dollars in only 5 theaters and has been released in most parts of the country in the coming weeks. Meanwhile, Focus successfully expanded the period film Jane Eyre a total of 26 rooms to reach break into the top 20 weekend raising $ 466K.

Mexico: For the third consecutive week, the animated range continued to lead the Mexican box office was strong despite tough competition from three new films in domestic release and one of them addressed the same audience. With $ 15.7 million dollars generated during the weekend, almost 38% less than the previous week, the film has collected $ 93.3 million dollars and is also almost no exceed 100 million, but in pesos. Liam Neeson headed the crop of releases to the thriller Unknown which reached $ 13 million to be placed in the second step. Was followed in third Mexican comedy site Saving Private Perez, who debuted with a modest sum of $ 12.2 million and will have to wait how good is the word of mouth in the coming weeks. Disney got the third and sixth place with its latest animated film entitled Mars Needs Moms in 3D and 2D versions respectively. Mars 3D formats recaurdaron $ 7.5 million, while in normal form only made $ 6.2 million. Obviously, if we add these two amounts Mars Needs Moms became the leader of the releases, however Canacine always divide the total in the various formats in which the film is projected. Battle: Los Angeles dropped to fifth place to earn $ 6.2 million for a low total of $ 20.7 million. The documentary Presumed Guilty slumped to seventh place collecting $ 5.3 million over the weekend for a total of $ 71.2 million in 5 weeks in theaters. With a sharp drop of more than 50% over the previous week, it would seem that the euphoria of seeing the film has decreased significantly. The goal of 100 million and a place in the top 10 highest-grossing Mexican film now seems remote. The Black Swan was placed at number 10 and finally managed to exceed 100 million pesos after 8 weeks on display. The blockbuster raised $ 3.9 million to total $ 102.8 million. U.S.


(million dollars)
Source: Box Office Mojo

1. Limitless - $ 18.9m - 1 week - $ 18.9m
2. Range - $ 15m - 3 weeks - $ 92.3m
3. Battle: The Angeles - $ 14.5m - 2 weeks - $ 60.5m
4. The Lincoln Lawyer - $ 13.2m - 1 week - $ 13.2m
5. Paul - $ 13m - 1 week - $ 13m
6. Red Riding Hood - $ 7.1m - 2 weeks - $ 25.8m
7. The Adjustment Bureau - $ 5.7m - 3 weeks - $ 48.6m
8. Mars Needs Moms - $ 5.3m - 2 weeks - $ 15.4m
Beastly
9. - $ 3.1m - 3 weeks - $ 22.1m
10. Hall Pass - $ 2.5m - 4 weeks - $ 39.5m

Mexico (in million pesos)
Source: Canacine

1. Range - $ 15.7m - 3 weeks - $ 93.3m
2. Unknown (Unknown) - $ 13m - 1 week - $ 13m
3. Saving Private Perez - $ 12.2m - 1 week - $ 12.2m
4. 3D Mars Needs Moms (Mars Needs Moms) - $ 7.5m - 1 week - $ 7.5m
5. Battle: Los Angeles (Battle: Los Angeles) - $ 6.2m - 2 weeks - $ 20.7m
6. Mars Needs Moms 2D - $ 6.2m - 1 week - $ 6.2m
7. Presumed Guilty - $ 5.3m - 5 weeks - $ 71.2m
8. The Rite (The Rite) - $ 5m - 5 weeks - $ 126.6m
9. friends with benefits (No Strings Attached) - $ 4.9m - 4 weeks - $ 35.4m
10. The Black Swan (Black Swan) - $ 3.9m - 8 weeks - $ 102.8m

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Argentino Luna

The only thing I'm using the blog, lately, is to give example of those things that concern me or that I care that people know. Today, the death of Luna Argentino slapped me. If there is something I like about my country, its folklore, and doubtless this great "singer" (I remember the first time I heard the "country store") deserves a place here. I spent the whole day, without believing, and as I listened to a song dedicated to his mother, I missed the tears from laughter, humor product that was always so cute.

I leave one of the many recitations of Luna, beautiful as his songs. "My will"

"Very little can be done, when the reaper comes to you. One of its arms delivery to the account is woman!" Argentino Luna.

"I have been and will be an inhabitant of the silence of my people, they keep my songs ... nero, I have sown on good soil, the heart of my people has made the seed germination of the verse, song and continue singing because that was the destination I chose or chose me, but I, a fellow singer payments Madariaga I went there one day to return better, as the poet said. " Argentino Luna

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There will be news ..... news? Gregory Isaacs

people Well, the truth is I'm like a caged lion ... a year or so without radio too ... I wanted to get some: there will be news soon, stay tuned!

Mr X

http://www.radioelghetto.blogspot.com/atom/xlm

Female Humping The Sofa

Biutiful is the fourth feature from Mexican director Alejandro González Iñárritu ( Amores Perros, 21 Grams, Babel ) and the first without teamed with screenwriter Guillermo Arriaga header, then the conflict that existed between them. After seeing the film one thing is clear to us: the lack of such collaboration others is evident. Although Biutiful maintains very definite style of Mexican director, the weakest point of the film lies in the script, an element that played a key role in Iñárritu's previous films.

The film takes us to the Barcelona underworld to introduce a Uxbal (a masterful Javier Bardem), a father who discovers that his days are numbered after a doctor diagnosed with terminal cancer. Uxbal is when he began to leave the accounts with his children, his wife and a bipolar families from Asia and Africa with which handles business on the black market in the city. On this occasion, no intersecting stories or an ensemble of actors who go through the same circumstances. Biutiful completely turns to his main character and develops a story completely immersed in the drama. The development of such sad stories and despair is nothing new for those who have followed González Iñárritu's filmography, but this time abused in excess of drama and the film becomes an exercise not only extremely depressing, but line in tedium. The film strives to show the irony of his title, focusing on the saddest situations facing the protagonist.

add to this is endless subplots that in several cases contribute anything relevant to the main story and serve as mere filler for a movie that could well have lasted a little less without changing the message you are trying to convey. Despite the weak script, the film manages to stay afloat thanks to the wonderful performance of Javier Bardem, who does not need to talk to communicate with gestures and glances the terrible ordeal through which her character goes through. My respect for the great Bardem. Another point in favor of the film is the photography of Rodrigo Prieto's cinematography is also head of Iñárritu, who has been responsible for great works in Broken Embraces, Lust Caution and Brokeback Mountain, Ang Lee latter. That touch almost magic of photography provides the realism and film plunges us into the underworld of the English city.

Some people have given to Alejandro González Iñárritu the title of author, but I think he still has much experience to go before being awarded the qualification. Yes, his three previous films have been making clear his unique style and expertise, but Biutiful is a small setback in his acclaimed and short career. I wonder if the outcome of this latest film will make ¨ Black "back to work with Arriaga or you risk to turn the story of another writer. In short, Biutiful is a must for the faithful followers of the director and Javier Bardem or for those masochists who like to go out in a total state of depression of cinema.


Rating: ** 1 / 2

Deborah Sampson Pichers

First Look: Saving Private Perez

Saving Private Perez is the first of a series of tapes of Mexican manufacturing are about to debut on screens in Mexico and promise to call the hearing to show that national cinema is showing signs of life and what is best, offering interesting stories, controversial and entertaining ( The Other Family, Heroes del Norte, Redondo Travel ). Directed by Beto Gómez ( cuffs Rosas), this film comedy meets Miguel Rodarte, Joaquín Cosio, Jesus Ochoa, Adal Ramones y Jaime Camil to tell the story of a drug dealer who must travel to Iraq to rescue his younger brother. The film is being touted as one of the most ambitious of Mexican cinema and promises to start laughing. With a title that parodies the war film by Steven Spielberg (Saving Private Ryan ), its release date is scheduled for March 18 in Mexico. Be seen to judge.

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The box office - 11 to 13 March 2011

USA: Three new releases this week entered the Top 10 of the United States. The film sci-fi action Battle: Los Angeles had a vibrant debut first, raising $ 35.5 million over the weekend. Followed in third place ribbon youth Red Riding Hood , which opened below industry expectations as low as $ 14 million dollars and finally the animated Disney Studios Mars Needs Moms , which had a poor box office performance in fifth, to raise the paltry sum of $ 6.9 million despite being projected in 3D and IMAX. Undoubtedly a setback for this production of $ 150 million dollars, so that Disney will only hope that the film has a better performance at international level. Johnny Depp and Range had a good session in its second weekend in theaters, down only 40%, totaling $ 22.6 million this weekend for a total of $ 68.2 million in its first 10 days. The goal of 100 million now appear closer to the production of Paramount Pictures and Nickelodeon. In limited debut, the production of independent court Jane Eyre was a powerful opening to raise $ $ 182.885 in only 4 theaters in Los Angeles and New York. The film distributed by Focus Features will continue to expand to other cities in the coming weeks, including Seattle, which will premiere next Friday 18.

Mexico : Battle: Los Angeles also premiered in Mexico this weekend, but did not reach the top of box office with his debut. The film stars Aaron Eckhart had a moderate recovery of $ 9.8 million dollars, putting it in third place. The other opening weekend nationwide comedy was Rachel McAdams, Diane Keaton, Harrison Ford and Glorious Awakening , which did not manage to enter the top 10 nationally. According to Box Office Mojo, the film debuted with $ 190 billion dollars, equivalent to approximately $ 2.4 million pesos. range continued to lead the box office for second week. With $ 25 million more, the band has added a total of $ 69.3 million pesos. After the controversy last week, the Mexican documentary Presumed Guilty remained in the second national position raising $ 12.5 million in its fourth week of release, 27% less than the previous weekend. The controversial film takes a total of $ 59.9 million dollars and continue to generate interest among the audience, the mark of $ 100 million could be exceeded, which would lead it to become one of the Mexican movies grossing and most successful documentary in Aztec lands.

U.S.
(million dollars)
Source: Box Office Mojo

1. Battle: Los Angeles - $ 35.5m - 1 week - $ 35.5m
2. Range - $ 22.6m - 2 weeks - $ 68.2m
3. Red Riding Hood - $ 14m - 1 week - $ 14m
4. The Adjustment Bureau - $ 11.5m - two weeks - $ 38.6m
5. Mars Needs Moms - $ 6.9m - 1 week - $ 6.9m
6. Beastly - $ 5 m - 2 weeks - $ 16.9m
7. Hall Pass - $ 5m - 3 weeks - $ 34.8m
8. Just Go With It - $ 4m - 5 weeks - $ 94m
9. Gnomeo and Juliet - $ 3.6m - 5 weeks - $ 89.1m
10. The King's Speech - $ 3.5m - 16 weeks - $ 129m

Mexico
(in million pesos)
Source: Canacine

1. Range - $ 25.4mm - 2 weeks - $ 69.3m
2. Presumed Guilty - $ 12.5m - 4 weeks - $ 59.9m
3. Battle: Los Angeles (Battle: Los Angeles) - $ 9.8m - 1 week - $ 9.8m
4. The Rite (The Rite) - $ 8.6m - 4 weeks - $ 117.5m
5. My Momma's House 3 (Big Momma's House 3) - $ 5.5m - 3 weeks - $ 35.4m
6. The Black Swan (Black Swan) - $ 5.1m - 7 weeks - $ 96.3m
7. The Speech of the King (The King's Speech) - $ 4.4m - 4 weeks - $ 29.9m
I
8. Number Four (I Am Number Four) - $ 4.1m - 1 week - $ 15.8 m
9. friends with benefits (No Strings Attached) - $ 4m - 3 weeks - $ 28.2m
10. Una Esposa de Mentira (Just Go With It) - $3.1m - 5 semanas - $84.5m

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First Look: HappyThankYouMorePlease

Ganadora del Audience Award en la pasada entrega del festival Sundance, HappyThankYouMorePlease es el debut como director y escritor de Josh Radnor (How I Met Your Mother) quien además protagoniza la cinta junto a Kate Mara, Zoe Kazan y Richard Jenkins. El filme tragicómico sigue los pasos de un escritor de la Gran Manzana que por azares el destino debe hacerse responsable de un pequeño, luego de que éste pierde a su madre en el subway. Aquí les dejo una probadita de la película, la cual ya se encuentra en estreno limitado en algunas ciudades de los Estados Unidos y pronto llegará the screens in Seattle. Incidentally, the trailer reminded me too Garden State, which incidentally was directed film, written and performed by another comedian sitcoms (Zach Braff) and also had his debut in this film festival for 7 years.

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Rain also

Rain also is the latest film production Icíar Bollaín, which was selected by Spain to represent the country in the last Oscar Awards , but not enough to be among the five nominated foreign language film. The film, a multinational division that includes Luis Tosar ( Cell 211) and Gael García Bernal in the lead roles, tells the story of a production team that travels from Spain to Bolivia to film a movie about the arrival of Christopher Columbus to America over 500 years. However, the shooting will face several setbacks when people in the small town where they are filming the band decided to rise against the government and a foreign company that distributes the water at inflated prices.

Rain also is a very interesting film exercise. On the one hand, lends itself to analysis from the point of view of development and production of a movie as it shows the dynamic between director, producer, screenwriter and actors, and conflicts, decisions and dilemmas facing the team. While on the other hand, the film maintains a spirit of social criticism supported by the very irony of the story that unfolds. Ultimately, we can see that 500 years after the arrival of the English in America, indigenous communities and poorer Latin American countries are still exploited and marginalized by people both from their own country, as other nations.

The irony of all is that as time passes and people in the crew begins to sympathize with many people in the village, they realize the reasons for their struggle and how their rights are trampled upon by others unjustly in the eyes of the world insensitive. However, what face can they support the cause if they themselves also traveled to that place in order to finish the recordings under a shoestring budget, with the help of cheap labor?

The only but I put the film is the fact that touches on many issues besides those mentioned above and feel that fail to develop each to the maximum. Beyond that, it is an interesting film and very well done technically, which is also seasoned a magnificent performance by Luis Tosar, whose character achieves a catharsis to engage more with the townspeople. No doubt Rain also invites analysis and reflection on those communities far from large companies continue to struggle daily for survival in an increasingly unjust world that continues to leaving the sidelines.

Rating: *** 1 / 2

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Fair Hollywood just a week ago we prescribed the modern version of the classic "Beauty and the Beast become youth film (aka Beastly) and now it's the turn of the famous Red Riding Hood fairy tale transformed into a tape full of romance and thriller directed at teenagers. From the hand of Catherine Hardwicke (Thirteen , Twilight ), Red Riding Hood runs a territory known as the audience and it is impossible not to compare with previous work from the director: the first part of the famed saga Twilight vampire . Both films are very similar not only in style but also in portraying a love triangle and trying at all costs to build a new franchise to compete against Bella, Edward and company, but this time from the hand of a larger study such as Warner Brothers.

In Red Riding Hood , Valerie (Amanda Seyfried) lives with her family in a small medieval community in the middle of the forest. Suddenly, the tranquility of the town is disturbed when Valerie's sister dies after being attacked by a mysterious wolf which has spent years terrorizing the village at that full moon. This is when the people used the father Solomon (Gary Oldman) to help them find the beast and be done with it once and for all. The search aims to Valerie soon as the prime suspect, after she manages to talk to the child and the tell-tale witnesses. From that moment, the film becomes a whodunit but with very few surprises and twists.

In a matter of history, the film adds nothing new. Moreover, makes Twilight look like a literary gem at his side. Starting from the pseudo love triangle that raises the film ends not only offer curdling and to which we must add the gray that are both leading men, who basically let him film the whole package of Amanda Seyfried. Not if there was a lack of experience, poor script, poor direction or all of the above, but the three young leads, Seyfried achieved a job only a little more convincing.

Outside of that, the movie maintains a brisk pace especially towards the end and obviously leaves the possibility of a future franchise, although I personally see it as somewhat dubious. I do not think Red Riding Hood will have the same scope as Twilight and at least in the United States do not see it raising more than $ 100 million. We will have to see what the behavior of the tape at the international level, where I see him further and then later talk about a sequel or not. In short, is a ribbon to hang out with a trite story with a cast soulless who redeems a bit thanks to the charisma of its star.

Rating: **

Enclosures To Cover Ugly Sink Pipes

Those who know me, know I'm one of the least religious people can meet, and while I respect the beliefs, I can not believe in his system. But today, being so far, at least I leave here my support to the events. Fortunately, Japan is accustomed to earthquakes, so they are prepared for this kind of thing even if it has been such a scale.

元気 で い て ね!

Substitution For Rapadura Sugar

Red Riding Hood suspects and the effect of the dispute

If it is well known here and elsewhere that the more the government strives to prohibit and / or censor something, the greater the morbidity and controversy among the general population. This is exactly what is happening in Mexico after the government has requested the suspension of the screening of the documentary Presumed Guilty, which highlights the failure of the Mexican judicial system. "The argument? Several people in the film did not give their consent for using his image on the tape and say that their life is being affected.

last 9 years had not been so much hype around a band of Mexican manufacturing. It was the summer 2002 when The Crime of Father Amaro went in the church bulletin board and immediately began a campaign to ban the screening of the film nationwide. The result? People flooded the cinemas, making it the most successful Mexican film of all time, a title he still holds despite already spent nearly a decade.

What I mean is that all the news that emerged this week about the documentary and if so removed, that if you put it, if it goes against freedom of expression, etc.. is merely free publicity for the film. Now, to wait the final ruling, but if you return screens again, I'm sure Presumed Guilty become a successful Mexican film, a truly amazing feat considering the gender of the tape and in short, a very important breakthrough for those who are dedicated to making documentaries. Many will say that cinema is to entertain and have a good time, but sometimes it is important to turn to the reality that presents interesting stories than those of fiction.

Here is a list of the 10 highest-grossing Mexican films to date. Hopefully see Presumed Guilty occupying one of these positions soon.

1. The Crime of Father Amaro
Eggs
2. A film Rudo y Cursi
4. No Eres Tu, Soy Yo
Km 31
6. Sex, Shame and Tears
Eggs Another film Y Tu Mama Tambien
10. La Misma Luna Life Arráncame