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First Look: Beginners 8 al

Written and directed by Mike Mills (who probably few remember him for his debut film Thumbsucker), Beginners is a smart film that promises to blend comedy and drama to enhance and introduce the nature of relationships and parent-child relationship. With an interesting cast headed by Ewan McGregor, Christopher Plummer and the beautiful Mélanie Laurent, it is almost impossible to resist a peek. Beginners opens in limited platform in the United States this summer.

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The box office April 10, 2011 Serious Moonlight

USA: Despite the arrival of four premieres Hop continued making the rounds at the U.S. box office to remain for the second straight week in the first place. Down only 43% from its debut weekend, the adventures of bunny raised $ 21.2 million dollars over the weekend to earn a total of $ 67.7 million. Of the new films in theaters, and Arthur Hanna had a tough battle for second place, with the thriller starring the young Saoirse Ronan who proves victorious. The film distributed by Focus Features debuted with $ 12.3 billion, followed by the comedy of Russell Brand with $ 12.2 million. Soul Surfer , the true story about a young surfer, won the fourth in his debut with a modest debut of $ 10.6 million, while the comedy medieval Your Highness had a mediocre performance to earn $ 9.3 million and remain in sixth place, despite be a movie premiere with more major stars in its cast. In its second weekend, the horror film Insidious had a slight setback and raised $ 9.3 million more for a total of $ 26.7 million. Obviously, with the arrival of Scream 4 next week, the competition will get tougher. Limited platform, Lionsgate launched the Mexican comedy hit N or Join Tu, Soy Yo in major Hispanic markets in the country achieving a poorer outcome. With only $ 588.938 and an average of $ 2k per film, future expansion to other cities is still in doubt. While Meek's Cutoff drama starring Michelle Williams had a decent performance to raise $ 20.024 in just 2 theaters.

Mexico: Debuting a weekend rather than in the United States, the animated Rio had an extraordinary debut in Mexico. The film racked up a total of $ 57.4 million dollars and was in first and second place at the box office in its 2D and 3D version respectively. With the holidays small beginning next weekend, Rio has a good future ahead despite will face direct competition from Hop. comedy Saving Private Perez continued his hot streak at the box office to be placed in third place and collect $ 6.8 million pesos. In its fourth weekend in theaters, the Mexican film has collected a total of $ 61.6 million and is now set to end his tour on the big screen with about $ 70-80 million pesos. In its second weekend in theaters, Agents of Doom fell one position to fourth place and have accumulated only $ 16 million in 10 days. The Other Family continued lose audience, grossing $ 3.6 million for a total of $ 26.4 million in the three weeks of exhibition, a little below expectations. With the arrival of Rio, Gnomeo and Juliet suffered a big drop from second to ninth place with $ 1.9 million to its 2D version. U.S.


(million dollars)
Source: Box Office Mojo

1. Hop - $ 21.2m - 2 weeks - $ 67.7m
2. Hanna - $ 12.3m - 1 week - $ 12.3m
Arthur
3. - $ 12.2m - 1 week - $ 12.2m
4. Soul Surfer - $ 10.6m - 1 week - Insidious
5. $ 10.6m - $ 9.3m - 2 weeks - $ 26.7m
6. Your Highness - $ 9.3m - 1 week - $ 9.3m Source Code
7. - $ 8.6m - 2 weeks - $ 28.2m Limitless
8. - $ 5.4m - 4 weeks - $ 64.1m
9. Diary of a Wimpy Kid: Rodrick Rules - $ 4.7m - 3 weeks - $ 45.3m
10. The Lincoln Lawyer - $ 4.2m - 4 weeks - $ 46.1m

Mexico

(in million pesos)

Source: Canacine

1. Rio 2D - $ 30.3m - 1 week - $ 30.3m Rio
2. 3D - $ 27.1m - 1 week - $ 27.1m
3. Saving Private Perez - $ 6.8m - 4 weeks - $ 61.6m
4. Agents of Destiny (The Adjustment Bureau) - $ 4.7m - 2 weeks - $ 16m
5. The Other Family - $ 3.6m - 3 weeks - $ 26.4m
6. Unknown (Unknown) - $ 3.4m - 4 weeks - $ 44.3m
7. Battle: Los Angeles (Battle Los Angeles) - $ 2.7m - 5 weeks - $ 37m
8. friends with benefits (No Strings Attached) - $ 1.9m - 7 weeks - $ 51.2m
Gnomeo and Juliet
9. 2D - $ 1.9m - 3 weeks - $ 25.6m
10. Sucker Punch - $ 1.5m - 3 weeks - $ 15.3m

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(Marley)

is a shame that after being one of Hollywood's most sought during the nineties and have featuring the great classics of romantic comedy Meg Ryan finished relegated to participate in such simplistic and bland comedies usually are released directly to video in the United States and Serious Moonlight is no exception.

Directed by actress Cheryl Hines, in his debut behind the camera, and based on a screenplay by the late Adrienne Shelly (Waitress ), who by the way they spend the movie, Serious Moonlight tells the story of Louise and Ian, played by Ryan and Timothy Hutton, a marriage in crisis after it announced it plans to break away and travel to Paris with her lover (Kristen Bell). Devastated by such a revelation, Louise decides to tie her husband to the bathroom to try to save your relationship and prevent it from abandoning. However, things get complicated when a young man (Justin Long) takes advantage of the situation to rob the house.

The result is an irrelevant and boring black comedy with lots of characters on which it is impossible to feel empathy. Meg Ryan is misdirected and overacted to the point of reaching frustrate even the most patient viewer with their exaggerated gestures. Not to mention its rigid facial expressions, in part thanks to botox injected into her face brings. As history, it is lost in situations that border on improbable and that in some way contradict the message you are transmitting.

In summary, Serious Moonlight is a soulless film with very poor performances, largely due to poor management, and with a story so insipid that even the presence of Meg Ryan in the lead role manages to pick up the pace lethargic or save the absurdities of the film.

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Unstoppable (Unstoppable)

British director Tony Scott once again teamed with Denzel Washington to one of his favorite actors, to prescribe a loaded movie adrenaline and speed that meets us at our edge of the seat and biting his nails.

Inspired by actual events, Unstoppable takes us to the railroads of the state of Pennsylvania to present the story of a train loaded with toxic and explosive material accidentally covers roads without a driver, no brakes and more than 70 miles per hour , and threatens to derail and cause extensive damage to a small population. This is when a chance encounter, two train drivers (Washington and Chris Pine in Star Trek ) are the last hope of the people to achieve curb the unstoppable locomotive and prevent a major disaster occurs.

The film follows the formula to the letter and he does not think outside the box making it work perfectly, and even with all the typical clichés ranging from children to an outing at risk, the sentimental story disque the main characters is mere filler melodramatic and explosions, chases, crashes, etc.. Denzel Washington is like a fish in water and who better than him to play individuals who nobody takes seriously but for one reason or another end up being the only ones who can save the world. Obviously, Chris Pine is terribly overshadowed by Washington, but hey, that's not a big surprise considering the size, presence and charisma that has the New York actor in films of this genre.

Unstoppable In there is nothing new under the sun. It's just a movie true to the formula in situations worn, familiar characters and predictable scenes. However, Scott's style combined with the performance of Denzel and the frantic pace of the film make Unstoppable is a palatable product, fast and fun, ideal for lovers of adrenaline.

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The Adjustment Bureau (The Agents of Destiny)

Based on a short story by Philip K. Dick (Blade Runner, Minority Report, Paycheck), The Adjustment Bureau is a science fiction story that is mixed with a romantic history to result in a film that despite the good intentions of his rookie director (George Nolfi), fails to meet expectations in any of addressing gender.

political career of David Norris (Matt Damon) is booming and his popularity and talent are about to take to occupy an important position in the United States Senate, but his personal life is in freefall largely emotional vacuum which crosses. It is just then when David meets Elise (Emily Blunt) by chance of fate and feel that your life takes on new meaning. This meeting is to take David to discover the existence of a group of men wearing coat and hat, whose job is to direct the destiny of human beings. These individuals shall strive to do everything possible to avoid the political fall in love with Elise, since the relationship not only goes against the plans they had planned for him, but also jeopardizes his political future. From this realization, the main character faces a dilemma between choosing a predetermined path that holds professional achievements and satisfactions an uncertain future where the only thing certain is that will stand the love of his life.

Much of the film works thanks to the great chemistry between the protagonists. No doubt that Matt Damon and Emily Blunt are an excellent dumbbell and contributions achieved complete the film worthwhile. Beyond that, the story simple and simply fails to convince entirely. One is left hoping that the script much further in the nature of these mysterious men who control the lives of humans and are capable of defying the laws of space to move from one point to another, but none of this happens and in my of view, this should have been a key element in the development of the film. All players roll the destination the ¨ ¨ is treated very superficially to achieve focus more on the romantic the film, making one as a spectator ends with a lot of unanswered questions and unknowns.

As to his credit, the film invites reflection on the existence of free will or free choice. There is a phrase that says that everyone is the architect of his own destiny, but really is this true or will we live in a world similar to the movie in which one believes to be the architect, but someone else is controlling our lives and making us believe that our decisions can have an impact on the course of destiny? I think The Adjustment Bureau is one of those cases where the main idea is interesting, but the execution leaves much to be desired and check to lose what could have been a smarter film and round. Recommended for some fun entertainment.

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The box office 1 al 3 April 2011 First

USA: As expected, the child tape Hop debuted at the box office this weekend, but with a higher revenue than anticipated. With a total of $ 37.5 million in its first weekend, the film distributed by Universal has a long way to go especially with the Easter period just around the corner. The Source Code thriller starring Jake Gyllenhaal, premiered in second place with $ 14.8 million, despite receiving rave reviews. The Insidious horror film FilmDistrict new distributor was put in third place and earned $ 13.2 million in its debut weekend, thanks in part to the absence of films of this genre in theaters in recent months. Diary of a Wimpy Kid: Rodrick Rules dropped from first to fourth place, collecting $ 10 million to a total of $ 38.1m in 10 days. While Sucker Punch was a sharp drop in its second weekend, falling 68.4%, raising $ 6 million in 3 days and $ 29.8 million in total. The road is not bright for the film, which could end their large-screen display with $ 40 million. Limited platform, Jane Eyre and Win Win continued successful expansion across the country. Independent films grossed $ 1.2m and $ 1.1m respectively over the weekend. The film won the Oscar for Best Foreign Film In a Better World, had a modest debut in only 4 theaters, managing to accumulate $ 33.058 U.S. dollars only. Sony Pictures Classic film will continue to expand to more cities in coming weeks.

Mexico: The Mexican film Saving Private Perez accomplished the feat of retaining the top spot at the box office despite the entry of two new films in theaters nationwide. The comedy grossed $ 9.7 million pesos, up 16% from the previous weekend, accumulating $ 50 million in just 3 weeks and a very prosperous future at the box office. Of the two releases, only one had a moderate performance at the box office while the other as I flop happened in the United States. Agents of Doom debuted in third place with $ 7.6 million pesos while the steering wheel Hell (Drive Angry) was outside the top 10 with about $ 3 million, combining the income of 3D and 2D versions. As Canacine divide the profits in both formats, the film, in any of its versions, was able to sneak into the top 10 grossing week. The animated film Gnomeo and Juliet continued in second place with its 2D version ($ 8.1m) and climbed to fifth place with the 3D version ($ 6m) for a combined total of $ 14.1m and $ 35.5m accumulated in 10 days . While other Mexican film in the top 10, The Other Family, raised $ 6.1 million dollars in its second weekend to reach the fourth place. With a slight drop of 25%, the controversial film takes $ 19.3 million in total. Sucker Punch dropped to eighth place, down 39% to collect $ 3.6 million over the weekend and a poor revenue of $ 12.2 million to date. U.S.


(million dollars)
Source: Box Office Mojo

1. Hop - $ 37.5m - 1 week - $ 37.5m
2. Source Code - $ 14.8m - 1 week - $ 14.8m
3. Insidious - $ 13.2m - 1 week - $ 13.2m
4. Diary of a Wimpy Kid: Rodrick Rules - $ 10m - 2 weeks - $ 38.1m Limitless
5. - $ 9.3m - 3 weeks - $ 55.5m
6. The Lincoln Lawyer - $ 6.8m - 3 weeks - $ 39.4m
7. Sucker Punch - $ 6m - 2 weeks - $ 29.8m
8. Range - $ 4.5m - 5 weeks - $ 113.7m
9. Paul - $ 4.2m - 3 weeks - $ 31.8m
10. Battle: Los Angeles - $ 3.5 m - 4 weeks - $ 78.5m

Mexico

(in million pesos)

Source: Canacine

1. Saving Private Perez - $ 9.7m - 3 weeks - $ 50m
2. Gnomeo and Juliet 2D - $ 8.1 m - 2 weeks - $ 21.2m
3. Agents of Destiny (The Adjustment Bureau) - $ 7.6m - 1 week - $ 7.6m
4. The Other Family - $ 6.1m - 2 weeks - $ 19.3m
Gnomeo and Juliet
5. 3D - $ 6m - 2 weeks - $ 14.3m
6. Range - $ 5.6m - 5 weeks - $ 119.2m
7. Unknown (Unknown) - $ 4.7m - 3 weeks - $ 38.6m
8. Sucker Punch - $ 3.6m - 2 weeks - $ 12.2m to
9. Friends Rights (No Strings Attached) - $ 3m - 6 weeks - $ 47.5m
10. Mars Needs Moms (Mars Needs Moms) - $ 2.8m - 3 weeks - $ 20.6m

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Overview: Rubber Machete

No, not a joke Rubber the premise is simple and easy : a tire killer. If you believe you have seen everything we have to wait to see the latest work of director Quentin Dupieux. Here is the trailer to judge for yourself. Indeed, the film opens this Friday, 8 at the Northwest Film Forum in Seattle for those like me who are curious to see this film that promises to be full of humor and horror.

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two years ago, Duncan Jones made his debut as a writer and director of the independent court tape Moon, which was a of my favorites of 2009. That little band was not only acclaimed by critics, but also became the platform for Jones to the big leagues and little by little, this gem of science fiction has been gaining more followers since its release on video. On this occasion, the director jumps from the realm of independent cinema to mainstream to make a film with a bigger budget, supported by a larger study with the participation of biggest stars.

Jake Gyllenhaal is the protagonist of Source Cod e, an intelligent thriller that challenges the viewer from beginning to end. The young actor, in one of his finest performances to date, gives life to Colter Stevens, a soldier who awakens in a passenger train from the city of Chicago in the body of another man. Still puzzled by what is happening and trying to find an explanation, the train explodes and Colter wakes up in a small capsule that keeps you connected to wires and monitors. It is then that the military will find his involvement in a project entitled ¨ Source Code ¨ (Source Code), whose mission is to discover which of the passenger is responsible for the incident on the train. The program will allow Stevens only relive the last 8 minutes before the explosion in order to obtain the clues that point to the murderer.

With a rate of stroke, Duncan Jones repeats a pattern very similar to that followed in Moon and at times, the films show some similarities, especially in the sense that the protagonists are in a prison environment as they discover little by little the meaning of his existence. It is very interesting how every time the character Gyllenhaal · Connect ¨ a virtual reality program to gather more details of the suspect and managed to clear the terrorist act, he also becomes more aware of his mission and it was selected to participate. Source Code is a weird combination of Groundhog Day Inception and where the various situations that occur on the tape begin to mix and to the extent that a viewer has the task of analyzing the story with great care.

Michelle Monaghan and Vera Farmiga complement the distribution of the film that is undoubtedly the best commercial release so far this year. Source Code is a movie that combines brain muscle history with adrenaline and substance with style, and which in turn is accessible to all audiences. Outside the entertainment offered as such, the film does the viewer question the decisions and actions that one could change if we had the opportunity to relive certain moments in our lives, and the true meaning of what one considers real. A great success for the short, but celebrated, filmography Duncan Jones and look forward to your next project.

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Source Code

The Machete idea came from one of the fake trailers that were part of the film Grindhouse directed by Quentin Tarantino and Robert Rodriguez, with the intention of reviving and pay tribute to this unique film genre that had its peak during the seventies and eighties. The trailer enjoyed wide acceptance among the audience and fans of both directors that Rodriguez immediately began to roll tape.

Danny Trejo plays the badass Machete, a former Mexican federal agent after losing everything in the hands of a powerful drug lord, decides to migrate to the United States seeking to rebuild their lives. However, the fate has prepared another test to receive the offer of murdering a senator in exchange for a juicy amount of money. Accepting the deal, Machete soon will be involved in a trap that will lead not only to face his past again, but also to become the defender of the rights of Latino immigrants. Machete

is completely faithful to the premiere of the trailer false and does not disappoint in what it offers the viewer: aftermarket spray blood, violence and nudity free, mutilations and a very sour mood. And last but not least, in everything that happens in the film, Rodriguez can touch and very controversial issues of public relevance, such as the problem of migration and trafficking of drugs across the border, to name a few. Obviously, one would have expected the director to delve deeper into these issues but on second thought, that would be a tall order for a film that seeks only to entertain and celebrate the ribbon- Exploitation. A histrionic level, the film has the participation of a large cast, many of whom have worked with the director's previous work. Trejo dropped the paper like a glove, played to perfection without taking the role seriously. There are others like Lindsay Lohan and Jessica Alba not only offer convincing, while Steven Seagal returns to the movies with a character that keeps you attacked with laughter every time he utters the words · puñeta rudeness, "or any other English. Who Seagal would think that would be the comic relief of the tape?

In summary, Machete do what he promised and enjoy a movie that is widely if you're a fan of the previous projects of Robert Rodriguez and Quentin Tarantino. The film's pace is fast but I feel a bit lost at the end because too many storylines that try to conclude in such a short time. We thank the film never tries to be taken seriously, otherwise it would have resulted in a tremendous atrocity, despite playing a more formal topics, the director manages to tie the story in a subtle way without making the tape a mere propaganda. And if Rodriguez returns to fulfill its promises, is very likely that we will soon have to return to the bloody and Machete heartbreaker.

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Sucker Punch (Surreal World)

Zack Snyder's big screen transported to the wet dreams of every fan of comics and video games in their latest release entitled Sucker Punch, the which binds to the filmography of director as another example of Style Over Substance, and of course, was not surprising knowing that the mind behind such visual jacket is one that has brought us films like 300 and Watchmen .

Sucker Punch tells the story of Baby Doll, a young girl trying to save his sister from abuse and mistreatment of his father, a grave mistake that sends directly to a psychiatric hospital. This is where the blonde begins to seek ways to obtain his release through a fantasy world (and ultraviolent) that she imagines. In his plan to escape from the institution that holds her captive, Baby Doll call on the help of other inmates who also yearn to be free again.

The story is merely pulled and there is much to discuss about it. Grateful that the story tries to convey a message, but it lost in such a blast, dragons and whatever else occurs to mamarrada Snyder. Not only that, but the oscillation between the real and the imaginary world of Baby Doll is transformed into an exercise as a crossroads and confusing that the viewer ends up losing its obscure, pretentious and poor script. Of actions or talk. A cardboard box manages to convey more feeling and is able to recite the dialogue better than Emily Browning. And surprise, and probably disappointment for others, Carla Gugino not around naked in the movie. I mention this because I do not remember the last movie where there is complete Gugino topless. Maybe Spy Kids? Visually, the film is very good and perfectly matches the hype and unlikely director. However, I think there is nothing new in this last aspect that makes the film stand out from the others. Just as we saw here and we had seen before in 300 , Watchmen, Sin City , etc. Sucker Punch just seems recycled from other films visual style and although it does very well, is not that something that makes it look new.

Ultimately, the film fulfills its purpose of entertaining and I'm sure you'll have a good time if you go to the movies with the aim of seeing a movie that forces you to think long and be able to enjoy your popcorn and soda. Definitely this film genre is not one of my favorites but I must admit that the film is entertaining and is not as bad as the critics has made him known. Now we just have to wait what will happen when Zack Snyder take the reins of the new project to revive the Superman franchise. Will continue to prefer style over substance or will the director be able to find the right balance to combine a good story with a fair dose of visual extravagance?

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Morning Glory (Glorious Awakening)

From the pen of the writer The Devil Wears Prada comes Morning Glory, a comedy chick flick that although certain similarities with respect to the film starring Meryl Streep and Anne Hathaway, this time there is something in formula that fails to convince, and this is reflected in the final product.


Rachel McAdams takes the lead role in the film and plays Becky, a young intelligent and workaholic who decides to take the post of executive producer of Daybreak program: a morning magazine is on the floor in level hearing. In order to renew and increase the emission rating, Becky was given the task of hiring the veteran journalist Mike Pomeroy (played by Harrison Ford), whose career is in the twilight, to the crazy driving dumbbell Colleen Peck (Diane Keaton). Obviously, this is where the problems begin for the young producer, as Mike will refuse to work under their conditions, endangering the future of television production.


McAdams has been shown in previous work that has enough charisma and talent to bring out a film, but there were moments of Morning Glory where I just got mad. I do not think the blame has but it was the character that he had to interpret, which was too talkative at times bordering on despair. Diane Keaton not to mention that in the last three films I've seen has played the role himself and increasingly over-acted. Harrison Ford is better off who gets out their role as bitter and grumpy. Although the script shows some similarities with The Devil Wears Prada , as I mentioned earlier, not only to locate in New York history, but also share a female lead who works hard to succeed and struggle to find balance between their professional and personal Morning Glory is light years to reach the heels of Miranda and his followers. It takes so chic, the fashion, parliaments memorable comic moments and sympathy and chemistry of the cast. Moreover, to the romantic part of the film seems out superfluous and feels like mere requirement to be classified as chick flick. Pity for Patrick Wilson who in my opinion, ends too wasted in a role that does not add much to the story in general.


The result is a hilarious comedy with a few moments and a forgettable story. Still, it is an option recommended Palomera entertainment and safe, with a relatively easy to digest and actors loved and recognized by the public that while doing everything possible to float the film, its characters and story fail to do justice.