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The box office April 10, 2011 Serious Moonlight

USA: Despite the arrival of four premieres Hop continued making the rounds at the U.S. box office to remain for the second straight week in the first place. Down only 43% from its debut weekend, the adventures of bunny raised $ 21.2 million dollars over the weekend to earn a total of $ 67.7 million. Of the new films in theaters, and Arthur Hanna had a tough battle for second place, with the thriller starring the young Saoirse Ronan who proves victorious. The film distributed by Focus Features debuted with $ 12.3 billion, followed by the comedy of Russell Brand with $ 12.2 million. Soul Surfer , the true story about a young surfer, won the fourth in his debut with a modest debut of $ 10.6 million, while the comedy medieval Your Highness had a mediocre performance to earn $ 9.3 million and remain in sixth place, despite be a movie premiere with more major stars in its cast. In its second weekend, the horror film Insidious had a slight setback and raised $ 9.3 million more for a total of $ 26.7 million. Obviously, with the arrival of Scream 4 next week, the competition will get tougher. Limited platform, Lionsgate launched the Mexican comedy hit N or Join Tu, Soy Yo in major Hispanic markets in the country achieving a poorer outcome. With only $ 588.938 and an average of $ 2k per film, future expansion to other cities is still in doubt. While Meek's Cutoff drama starring Michelle Williams had a decent performance to raise $ 20.024 in just 2 theaters.

Mexico: Debuting a weekend rather than in the United States, the animated Rio had an extraordinary debut in Mexico. The film racked up a total of $ 57.4 million dollars and was in first and second place at the box office in its 2D and 3D version respectively. With the holidays small beginning next weekend, Rio has a good future ahead despite will face direct competition from Hop. comedy Saving Private Perez continued his hot streak at the box office to be placed in third place and collect $ 6.8 million pesos. In its fourth weekend in theaters, the Mexican film has collected a total of $ 61.6 million and is now set to end his tour on the big screen with about $ 70-80 million pesos. In its second weekend in theaters, Agents of Doom fell one position to fourth place and have accumulated only $ 16 million in 10 days. The Other Family continued lose audience, grossing $ 3.6 million for a total of $ 26.4 million in the three weeks of exhibition, a little below expectations. With the arrival of Rio, Gnomeo and Juliet suffered a big drop from second to ninth place with $ 1.9 million to its 2D version. U.S.


(million dollars)
Source: Box Office Mojo

1. Hop - $ 21.2m - 2 weeks - $ 67.7m
2. Hanna - $ 12.3m - 1 week - $ 12.3m
Arthur
3. - $ 12.2m - 1 week - $ 12.2m
4. Soul Surfer - $ 10.6m - 1 week - Insidious
5. $ 10.6m - $ 9.3m - 2 weeks - $ 26.7m
6. Your Highness - $ 9.3m - 1 week - $ 9.3m Source Code
7. - $ 8.6m - 2 weeks - $ 28.2m Limitless
8. - $ 5.4m - 4 weeks - $ 64.1m
9. Diary of a Wimpy Kid: Rodrick Rules - $ 4.7m - 3 weeks - $ 45.3m
10. The Lincoln Lawyer - $ 4.2m - 4 weeks - $ 46.1m

Mexico

(in million pesos)

Source: Canacine

1. Rio 2D - $ 30.3m - 1 week - $ 30.3m Rio
2. 3D - $ 27.1m - 1 week - $ 27.1m
3. Saving Private Perez - $ 6.8m - 4 weeks - $ 61.6m
4. Agents of Destiny (The Adjustment Bureau) - $ 4.7m - 2 weeks - $ 16m
5. The Other Family - $ 3.6m - 3 weeks - $ 26.4m
6. Unknown (Unknown) - $ 3.4m - 4 weeks - $ 44.3m
7. Battle: Los Angeles (Battle Los Angeles) - $ 2.7m - 5 weeks - $ 37m
8. friends with benefits (No Strings Attached) - $ 1.9m - 7 weeks - $ 51.2m
Gnomeo and Juliet
9. 2D - $ 1.9m - 3 weeks - $ 25.6m
10. Sucker Punch - $ 1.5m - 3 weeks - $ 15.3m

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(Marley)

is a shame that after being one of Hollywood's most sought during the nineties and have featuring the great classics of romantic comedy Meg Ryan finished relegated to participate in such simplistic and bland comedies usually are released directly to video in the United States and Serious Moonlight is no exception.

Directed by actress Cheryl Hines, in his debut behind the camera, and based on a screenplay by the late Adrienne Shelly (Waitress ), who by the way they spend the movie, Serious Moonlight tells the story of Louise and Ian, played by Ryan and Timothy Hutton, a marriage in crisis after it announced it plans to break away and travel to Paris with her lover (Kristen Bell). Devastated by such a revelation, Louise decides to tie her husband to the bathroom to try to save your relationship and prevent it from abandoning. However, things get complicated when a young man (Justin Long) takes advantage of the situation to rob the house.

The result is an irrelevant and boring black comedy with lots of characters on which it is impossible to feel empathy. Meg Ryan is misdirected and overacted to the point of reaching frustrate even the most patient viewer with their exaggerated gestures. Not to mention its rigid facial expressions, in part thanks to botox injected into her face brings. As history, it is lost in situations that border on improbable and that in some way contradict the message you are transmitting.

In summary, Serious Moonlight is a soulless film with very poor performances, largely due to poor management, and with a story so insipid that even the presence of Meg Ryan in the lead role manages to pick up the pace lethargic or save the absurdities of the film.

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Unstoppable (Unstoppable)

British director Tony Scott once again teamed with Denzel Washington to one of his favorite actors, to prescribe a loaded movie adrenaline and speed that meets us at our edge of the seat and biting his nails.

Inspired by actual events, Unstoppable takes us to the railroads of the state of Pennsylvania to present the story of a train loaded with toxic and explosive material accidentally covers roads without a driver, no brakes and more than 70 miles per hour , and threatens to derail and cause extensive damage to a small population. This is when a chance encounter, two train drivers (Washington and Chris Pine in Star Trek ) are the last hope of the people to achieve curb the unstoppable locomotive and prevent a major disaster occurs.

The film follows the formula to the letter and he does not think outside the box making it work perfectly, and even with all the typical clichés ranging from children to an outing at risk, the sentimental story disque the main characters is mere filler melodramatic and explosions, chases, crashes, etc.. Denzel Washington is like a fish in water and who better than him to play individuals who nobody takes seriously but for one reason or another end up being the only ones who can save the world. Obviously, Chris Pine is terribly overshadowed by Washington, but hey, that's not a big surprise considering the size, presence and charisma that has the New York actor in films of this genre.

Unstoppable In there is nothing new under the sun. It's just a movie true to the formula in situations worn, familiar characters and predictable scenes. However, Scott's style combined with the performance of Denzel and the frantic pace of the film make Unstoppable is a palatable product, fast and fun, ideal for lovers of adrenaline.

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The Adjustment Bureau (The Agents of Destiny)

Based on a short story by Philip K. Dick (Blade Runner, Minority Report, Paycheck), The Adjustment Bureau is a science fiction story that is mixed with a romantic history to result in a film that despite the good intentions of his rookie director (George Nolfi), fails to meet expectations in any of addressing gender.

political career of David Norris (Matt Damon) is booming and his popularity and talent are about to take to occupy an important position in the United States Senate, but his personal life is in freefall largely emotional vacuum which crosses. It is just then when David meets Elise (Emily Blunt) by chance of fate and feel that your life takes on new meaning. This meeting is to take David to discover the existence of a group of men wearing coat and hat, whose job is to direct the destiny of human beings. These individuals shall strive to do everything possible to avoid the political fall in love with Elise, since the relationship not only goes against the plans they had planned for him, but also jeopardizes his political future. From this realization, the main character faces a dilemma between choosing a predetermined path that holds professional achievements and satisfactions an uncertain future where the only thing certain is that will stand the love of his life.

Much of the film works thanks to the great chemistry between the protagonists. No doubt that Matt Damon and Emily Blunt are an excellent dumbbell and contributions achieved complete the film worthwhile. Beyond that, the story simple and simply fails to convince entirely. One is left hoping that the script much further in the nature of these mysterious men who control the lives of humans and are capable of defying the laws of space to move from one point to another, but none of this happens and in my of view, this should have been a key element in the development of the film. All players roll the destination the ¨ ¨ is treated very superficially to achieve focus more on the romantic the film, making one as a spectator ends with a lot of unanswered questions and unknowns.

As to his credit, the film invites reflection on the existence of free will or free choice. There is a phrase that says that everyone is the architect of his own destiny, but really is this true or will we live in a world similar to the movie in which one believes to be the architect, but someone else is controlling our lives and making us believe that our decisions can have an impact on the course of destiny? I think The Adjustment Bureau is one of those cases where the main idea is interesting, but the execution leaves much to be desired and check to lose what could have been a smarter film and round. Recommended for some fun entertainment.